Here's an entry from my late lamented blog about the fear of failure and overthinking scheduling moves. It was inspired by an on sides kick in the Super Bowl. Enjoy
Last night Sean Payton made one of the ballsiest calls ever in a Super Bowl when the Saints
started off the second half of the game with an onside kick. This morning on
ESPN's "Mike and Mike Show" (yeah I listen to ESPN in the morning
rather than NPR.... sue me) Coach
Ditka, in talking about the call, praised Payton by saying that, rather than
approaching the play from a perspective of "what if this fails"
Payton starts from "what if it works". Success will come to those who are not
afraid to fail and that has always been the case in the world of scheduling. The biggest
obstacle to success that I have experienced in all my years playing this game
is paralysis by analysis. The more we talk about a scheduling move the less
likely it is to happen because at some point the discussion comes around to
"what if you're wrong?" “What if it fails?” That’s when I
know I'm fucked. Nobody's right all of the time and obviously the
riskier the move the greater the chance of failure, but to never do the crazy thing,
to never go out on the ledge, results in stagnation and failure.
The thing about television is you can always
unscramble the egg.... look at NBC
and Leno.... so I'm always willing to start from the perspective of what if
this works? The worst thing that can happen to me is I get fired and, trust me;
there are far worse things in life. In thinking about the Super Bowl play this
morning I remembered two (of many) scheduling moves that almost didn't happen
because of over thinking and naval contemplation. Thought I would share them
with you.
In May '98, towards the end
of my NBC career we screened a pilot about a doctor who returns to her home
town of Providence RI, goes to work in a clinic and moves back in with her
father, a veterinarian. The pilot met with mixed reaction during the
screenings. I screened the pilot in a room with our head of press and publicity. She was visibly uncomfortable watching it. Providence
tested well and had enough support for it to be picked up as a mid-season
show. We did not get off to a
good start in the Fall 1998 and, as we were thinking about mid-season changes,
I suggested that we put Providence in the Friday 8pm slot since there appeared
to be nothing for "older" (25-54) women in the time period. We
watched several episodes and the consensus was that it was pretty good and
worth the shot.
The
January TCA (press critics) tour was coming up and our head of press and
publicity argued that we should delay putting Providence on the air until after
TCA. I heard the dreaded words "What if it fails". The thinking was
if it bombs that's more fuel for the fire among the television critics. I
argued back "what if it works?" it would give us a hit to rub in
their face and they hate us anyway so what's one more failure. Of course we
debated this for days (paralysis by analysis), which made it harder for the marketing people to get going with
promoting the show. We eventually decided to put it on before TCA and, guess
what? Providence turned out to be a success for NBC
and lived in the Friday 8pm time period for several seasons.
To this day I never found out why our press head
despised the show but the fun story was what Vince Manze and John Miller, the marketing guys did the day
after Providence opened to solid ratings. Tom Shales, the TV critic for the Washington Post hated the show and in his
review noted that this was the latest in a string of horrible shows coming out
of the Peacock. He ended his review with this sentence: "NBC has done it
again". Vince and John took that sentence and used it as the closing quote
in a promo touting the fact that NBC had a new hit on its hands. Needless to
say Shales went batshit and we had to pull the promo.
A
few years later I'm at FOX. In the May 2003 upfront Sandy Grushow brought out three actresses and David E. Kelly
to talk about a show that had not yet been shot.....Girls Club. The thinking was that, on the strength of David E.
Kelly's pedigree, we could sell the media buyers on the show. We did have a
script so we were only 80% insane to do this. Girls Club was simply awful and
that was reflected in the ratings.
That summer our head of unscripted Mike Darnell
pitched a small group of us the concept of a dating show where the
bachelorettes were told that the bachelor
was a millionaire when, in fact, he was dirt poor. We needed to keep the
conceit quiet while it was being filmed but we all thought that this one could
be big and noisy. We needed to put a January schedule together since this was
the first year American Idol would be on in season. I pitched the idea of shitcanning Girls Club and putting Joe Millionaire in the
Monday 9pm slot. Darnell was convinced that the powers that be would never
agree to that move i.e. giving an unscripted show a choice prime time slot. To
our surprise Gail Berman and Sandy bought into it and I assumed we were set. Wrong.
A few days after announcing the schedule changes
we found ourselves sitting in a room with some senior FOX execs to do a little
paralysis by analysis. We were told how much better off we would be with the
low rated Girls Club than with swinging for the fences with an audacious
reality show. Then the dreaded words were uttered: "Do you know how much
money we will lose if this fails?" Again all I could do was look at the
big boys and say "But what if it's a huge success?" "Well that would be a different story" they said. We stood our ground and with Idol, Joe Millionaire and the move
of 24 to mid-season (another classic case of paralysis by analysis) FOX won its
first sweep and has been on a solid run ever since.
I could site other examples but I'll just say
props to Sean Payton and the Saints. An example to us all of aiming for success
and putting thoughts of failure on the sidelines.
MS - If I recall correctly, beyond being a subpar soap, Girls Club episodes were aired out of order. Could you maybe post a piece on the logic behind such a decision. Sliders, The Finder - aired out of sequence.
ReplyDeletedoesnt look like he is answering. the ofgicial answer is to air the strongest episode and get most promotional bang for buck. with sliders the dinoversa epidode got a huge comercial push to go along with the premier of jurasic park on network tv and foxes made for tv the lost world, same with the invasion episode and id4 promotion
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